Cultural Studies Review
Cultural Studies Review
简 介：Cultural Studies Review is grateful for the financial support provided by the following schools, faculties and centres: School of Culture and Communication, University of Melbourne; Faculty of Arts and Social Sciences, University of Technology, Sydney; Faculty of Law, University of Technology, Sydney; School of Media, Culture and Creative Arts, Curtin University of Technology, Perth; Centre for Public Culture and Ideas, Griffith University, Queensland; Centre for Public Culture and Ideas, Griffith University, Queensland.
- 主管单位：
- 主办单位：University of Technology, Sydney
- 创刊时间：1995
- 出版周期：2
- 地址：澳大利亚
- 国际标准刊号：ISSN
- 国内统一刊号：CN
- 邮发代号：
- 单价：
- 总价：
2015年
Editorial
Katrina Schlunke;Chris Healy
(1-3)
Preface
Ilona Hongisto;Milla Tiainen;Katve-Kaisa Kontturi
(4-13)
Framing, Following, Middling: Towards Methodologies of Relational Materialities
Milla Tiainen;Katve-Kaisa Kontturi;Ilona Hongisto
(14-46)
Earth Forces: Contemporary Land Arts, Technology and New Materialist Aesthetics
Jussi Parikka
(47-75)
Elegy to an Oz Republic: First Steps in a Ceremony of Invocation towards Reconciliation
Barbara Bolt
(76-100)
Materiality, Language and the Production of Knowledge: Art, Subjectivity and Indigenous Ontology
Estelle Barrett
(101-19)
Temporal Explorations in Cosmic Consciousness: Intra-Agential Entanglements and the Neuro-Image
Patricia Pisters
(120-44)
Speculative Before the Turn: Reintroducing Feminist Materialist Performativity
Kathrin Thiele;Iris van der Tuin;Cecilia Åsberg
(145-72)
Welcome to Country: Acknowledgement, Belonging and White Anti-racism
Emma Kowal
(173-204)
Between Belonging and Dwelling: The Hospitality of David Malouf's Remembering Babylon
Nicolette Bragg
(205-22)
Self. Propagating | a strategy of encounter |
Gabrielle Lorraine Fletcher
(223-33)
When No Means No: Re-reading Celibacy
Jessica Kean
(261-5)
Editorial
Katrina Schlunke;Chris Healy
(1-4)
‘Progress is Great … ’: Making Sense of the Colonial Past in Outback Australia
Eve Vincent
(5-33)
Towards an Existential Pluralism: the Philosophy of Etienne Souriau
Catherine Noske
(34-57)
Transgenerational Trauma and Cyclical Haunting in Pat Barker’s Regeneration Trilogy
Meera Atkinson
(58-75)
What is Same but Different and why does it matter?
Lisa Stefanoff;Jennifer Biddle
(97-120)
Pulya-ranyi: Winds of Change
Wanta Steve Jampijinpa Patrick
(121-31)
Milpirri: Jennifer Biddle in Discussion with Tracks Dance Company
David McMicken;Jennifer Biddle;Tim Newth
(132-48)
Paarpakani: Take Flight
Tjanpi Desert Weavers
(149-74)
Yarljyirrpa (Clever People)
Curtis Taylor
(175-6)
Convergence: The Making of the Canning Stock Route Project and Yiwarra Kuju Exhibition
Carly Davenport Acker
(177-205)
Tangentyere Artists: Continuity, Contemporaneity and Inconvenient Art Practice
Margaret Boko;Louise Daniels;Sally M. Mulda;Sue O'Connor
(206-18)
Yarrenyty Arltere Artists
Dulcie Sharpe;Sophie Wallace;Leonie Sheedy;Marlene Rubuntja
(219-29)
Still in My Mind: An Exploration of Practice-led Experimental Research in Progress
Brenda L. Croft
(230-48)
What the World Needs Now is Love, Sweet Love (Punks)
Debra Myers;Dave Palmer
(249-61)
Serial Cities: Australian Literary Cities and the Rhetoric of Scale
Brigid Rooney
(262-82)
Degrees of Proximity in the Age of HIV
David Herkt
(298-303)
Thoughts on Water
Marama Muru-Lanning
(304-9)
Modern Dreamers
Eluned Summers-Bremner
(317-21)
Renewing Film’s Public Emphasis
Mette Hjort
(234-40)
Untangling Digital Citizenship
Anthony McCosker
(241-6)
Tasting Singapore
Gaik Cheng Khoo
(247-52)
Trauma and Affective Spill
Emma Willis
(253-60)