Cultural Studies Review
Cultural Studies Review
简 介：Cultural Studies Review is grateful for the financial support provided by the following schools, faculties and centres: School of Culture and Communication, University of Melbourne; Faculty of Arts and Social Sciences, University of Technology, Sydney; Faculty of Law, University of Technology, Sydney; School of Media, Culture and Creative Arts, Curtin University of Technology, Perth; Centre for Public Culture and Ideas, Griffith University, Queensland; Centre for Public Culture and Ideas, Griffith University, Queensland.
- 主管单位：
- 主办单位：University of Technology, Sydney
- 创刊时间：1995
- 出版周期：2
- 地址：澳大利亚
- 国际标准刊号：ISSN
- 国内统一刊号：CN
- 邮发代号：
- 单价：
- 总价：
2012年
Editorial
John Frow;Katrina Schlunke
(1-3)
Introduction: Speaking to the Eye
Bruce Buchan;David Ellison
(4-12)
Productive Parasites: Thinking of Noise as Affect
Marie Thompson
(13-35)
Listening for Noise in Political Thought
Bruce Buchan
(36-66)
Hearing Things: Music and Sounds the Traveller Heard and Didn’t Hear on the Grand Tour
Vanessa Agnew
(67-84)
Picturesque Farming: The Sound of ‘Happy Britannia’ in Colonial Australia
Peter Denney
(85-108)
The Soundscapes of Henry Mayhew Urban Ethnography and Technologies of Transcription
Helen Groth
(109-30)
Automata for the People: Machine Noise and Attention
David Ellison
(131-47)
How Silent is the Right to Silence?
Katherine Biber
(148-170)
Between Noise and Silence: Architecture since the 1970s
Alexandra Brown;Andrew Leach
(171-193)
A Different Crossroads—or Meeting the Devil in Cultural Studies
Marcus Breen
(214-19)
The Governor-General's Apology: Reflections on Anzac Day
Gerhard Fischer
(220-39)
Beyond the Brink: Indigenous Women’s Agency and the Colonisation of Knowledge in the Maid of the Mist Myth
Robinder Kaur Sehdev
(240-62)
Nightmare on Shaw Street: Getting Lost in Shorty’s Private Collection
Emily Bullock
(263-80)
Information Technology and the Experience of Disorder
Jonathan Paul Marshall
(281-309)
Feminine Shame/Masculine Disgrace: A Literary Excursion through Gender and Embodied Emotion
Camille Nurka
(310-33)
Buffel Grass: An Augmented Landscape
Saskia Maya Beudel
(334-58)
Surrender to the Void: Life after Creative Industries
Justin O'Connor
(388-410)
You’ll Love the Way it Makes You Feel: The Passion and Privation of Modern Work Culture
Caroline Hamilton
(411-16)
Writing Pop: Contemporary Approaches to Pop(ular) Music Studies
Henry Johnson
(417-24)
Editorial
Katrina Schlunke;John Frow
(1-2)
Introducing Discomforts
Sophie Sunderland;Holly Randell-Moon
(3-15)
(Post) Secular Discomforts: Religio-Secular Disclosures in the Indian Context
Goldie Osuri
(32-51)
The Secret, Cultural Property and the Construction of the Spiritual Commodity
Guy Redden
(52-73)
Avatar, Dark Green Religion: and the Technological Construction of Nature
Chris Klassen
(74-88)
Colonial Subjectification: Foucault, Christianity and Governmentality
Christina Petterson
(89-108)
Christianity Would Not Want a World from which Violence was Excluded': God, Bataille and Derrida on the Sovereign Logic of Religious Child Killing
Nick Mansfield
(129-46)
On Mad Men: Introduction
Melissa Jane Hardie;Prudence Black
(147-50)
Film For and About Adolescents: Unfolding the Complexity of the Issue
Iris Chui Ping Kam
(303-7)
Self-Starvation as Performance
Hayley Rudkin
(308-13)
Symbolic Amateurs: On the Discourse of Amateurism in Contemporary Media Culture
Caroline Hamilton
(177-92)
Interrogating Rurality in Settler-Societies: Place, Identity and Culture
Andrew Gorman-Murray
(273-82)
Mapping the Global Effects of Heritage, Memory and Identity
John Gunders
(283-8)
‘Here At The End of All Things’: Mediating Crisis in the Twenty-First Century
Adam Brown
(289-94)
New Bottles for New Wine: Sociology and Technology of Today’s Television Industry
Vincent O'Donnell
(295-302)
The Three Faces of Mad Men: Middlebrow Culture and Quality Television
Melissa Jane Hardie
(151-68)
Turned Back: Mad Men as Intermedial Melodrama
Monique Rooney
(169-87)
Don, Betty and Jackie Kennedy: On Mad Men and Periodisation
Prudence Black;Catherine Driscoll
(188-206)
Fag Men: Mad Men, Homosexuality and Televisual Style
Lee Wallace
(207-22)
Seeing the World Second Hand: Mad Men and the Vintage Consumer
Caroline Hamilton
(223-41)
The Return of Organisation Man: Commuter Narratives and Suburban Critique
Melissa Gregg
(242-61)
Mad Men’s Deceptive (Critique Of) Creativity
Julie Robert
(262-77)
California and Irony in Mad Men
Rodney Taveira
(278-300)
Mediations on Emergent Occasions: Mad Men, Donald Draper and Frank O’Hara
Kate Lilley
(301-15)
Sacred Landscapes
Roland Boer
(316-20)
Material Becoming
Michele Willson
(321-9)
We Need to Talk about Cultural Studies
Justin O'Connor
(330-40)
Critique on Critique
Nicholas Holm
(341-6)
Trauma: With or Without Theory
Allen Meek
(347-52)
Editorial
John Frow;Katrina Schlunke
(1-3)
Theoretical Stories
Tanya Serisier
(247-55)
Disposed to Acts
Greg Noble
(256-62)
Bauman Pours Out Culture
Paul O'Connor
(263-6)
The Work of Culture
Paul Long
(267-72)
Editorial
Chris Healy;Stephen Muecke
(7-8)